Lönneberga on the Elbe
So this is what Astrid Lindgren's Michel became, you might think when you meet the artist Jonas Kötz. Sure, his hair is gray, but his eyes sparkle like those of a rascal. And he can carve, too.

The wonderful world of the wood artist
The drive to the family farm leads through fields and meadows. Greylag geese and cormorants fly in formation, a skylark hovers in the air, singing its song. It really doesn't get more rural than this. Directly behind the property, sparsely planted with trees and shrubs, the Elbe dike rises gently and green. Jonas Kötz greets us with a warm laugh and a handshake like a vice. He wears a faded, blue work jacket and looks more like a carpenter than an artist. Jonas doesn't bother with formalities like "Sie" and "Mr. Kötz." It's a wonderful feeling to be so welcome and to be in such a relaxed, harmonious atmosphere. He immediately shows us the family kingdom: the garden lovingly landscaped by his wife Ami, the spacious house with stable, and the barn where he works in bad weather. Pets lie, stand, and run around in between. The somewhat elderly farm dog, Spike, only briefly raises his eyelids and then prefers to doze off. The two Tinker horses, Njaula and Jenny, don't even look up, but continue their lawnmowing duties, nibbling on the juicy grass. Piefke, the tomcat, however, decides to accompany us visitors every step of the way.
Small, fat men make it big here
On our tour, we repeatedly encounter men who seem uninvolved. Well-fed, arms folded, they gaze up into the cloudy sky with small eyes. They look strikingly similar: all have large, bulbous noses, round, protruding ears, a respectable belly bulges in the middle of their bodies, and a hairless head. "Small, fat men often appeared as main characters in my illustrations," explains Jonas, "and I've always liked working with wood." There was plenty of wood on Krautsand, and so it was that shortly afterwards the first wooden figures stood on the windowsills of the house and in the garden. A passerby liked the expressive men so much that he wanted to sell them in his shop in Hamburg. "I carved 20 figures for him. A short time later, he came back and wanted 20 more." The figures sold like hotcakes. "So I thought, you can sell them yourself." Today, 18 years later, demand for the wooden men is greater than ever. Jonas sells a third of his work through the renowned Hamburg gallery Commeter, and private and public commissions each account for a third of his sales. Many private buyers come from Switzerland. "I often hear from the Swiss that the figures look so beautifully North German. Do they?" Jonas asks us. Yes, they do.
From the trunk to the lovable wooden figure
The distant gaze, the stoic and solid. Somehow Nordic. The large Kötz wooden figures are carved from disused dolphins. These heavy, up to eight-meter-long wooden posts, usually made from the indestructible trunks of the bongossi tree, were once used to moor ships. Jonas works on one end with a chainsaw, chisels, and sandpaper until the round trunk has become a round wooden man. To be able to work on them more easily, he places the trunks in the twelve-meter-deep well in the garden. He holds them at working height with an ingenious rope system. Wooden planks placed on the edge of the well form a platform. "This puts me at eye level with the figure."
A family to cuddle
When Jonas Kötz and his wife Anne-Marie, nicknamed Ami, moved from the urban Blankenese to Krautsand in the municipality of Drochtersen, they were still just the two of them, Ami pregnant with Leonie. Today, the Kötz family has five members. Leonie is now 18, Paul 15, and Jacob 11. "Originally, we had planned to possibly move back to Hamburg once the children started secondary school," explains Jonas. But at some point, that was no longer an option. Jonas: "We feel at home here."
The living space the family has created truly feels like paradise: the garden is a sea of blossom, apple trees that will soon bear fruit, a dog, cat, horses, sheep, a pond where you can swim, the Elbe River at the door, meadows and fields all around. The way the family members interact with one another is so loving that you just want to cuddle them all. So it's fitting that we're invited to lunch. We were able to leave our sandwiches packed. Ami helped cook for us. We sit with the children in the kitchen, the center of the 240 square meter house. The interior of the house appears strikingly lively. Old, new, and homemade furniture alternate. The interior design is in a constant process of change, Ami explains to us.

Picture-perfect: Studio with Elbe view
A narrow wooden staircase leads to the studio of illustrator Jonas Kötz. Up here, he draws children's books about Farmer Dietrich, the forester Tannenzapf, and the "Krautsander Choral Society." From up here, you can occasionally look over the dike to the Elbe – Jonas's favorite view. He has now illustrated more than 60 children's books. Some of his characters also exist in real life. Farmer Dietrich, for example. His full name is Dietrich Büther and, as you might guess, he is a farmer. Later, as we sit in the garden with a cup of coffee, this very same Dietrich comes along and turns the hay on the dike. On the perfectly straight stretch, Farmer Dietrich only has to make one detour, because up here, too, stands a massive wooden man, gazing into the distance and seeming very content with his life.
Information about the artist can be found on his website (www.jonas-koetz.de).
TEXT: Andreas Lampe